Showing posts with label santagata. Show all posts
Showing posts with label santagata. Show all posts

Sunday, May 22, 2016

Boniface and Dante

As we get more deeply into the loving portrait of old Florence drawn by Cacciaguida in Paradiso 15-17, a couple of additional links to the biography of the poet have surfaced:

For whatever reason, here's a story about Boniface VIII, who according to this writer qualifies as "the worst pope in history:"
Not content with committing one mortal sin at a time, he was known for engaging in threesomes with a married woman and her daughter. If you’re keeping track, that’s three divine laws broken in a single night (adultery, incest, and breaking the vows of celibacy). Which is reprehensible or efficient, depending on your perspective. Link



And here's a snippet of another review of the new biography of Dante by Marco Santagata, a scholar from Pisa:

The central story, after all, is not the complexity of 13th- and 14th-century Italian politics. It is the extraordinary poet, with his endless ‘reflection on what he was doing’. Santagata teases out the many ways in which Dante was not merely self-obsessed, but also self-inventive. He came from relatively modest origins: his father was a moneylender. In Paradise, however, when Dante meets his crusading ancestor Cacciaguida, they both agree that Florence has been wrecked by mercantile shyster-bankers and money-men and that the world will only come to its senses when it is once again ruled by noblemen. So, though not himself an aristocrat, Dante writes as though he were one.

Friday, May 06, 2016

14th c. politics in new Dante bio

A new biography of Dante explores what it would be like for a man in exile, under sentence of death, to have the concentration to write one of the greatest long poems ever made amid the stresses and dangers of 14th century existence:
Santagata paints a dramatically different scene. We see a man with no fixed income, worried about that death sentence, dependent on the generosity of patrons who themselves are caught up in political turmoil. Dante is shown first scheming with White comrades to regain Florence, then currying favour with Black factions to be forgiven and allowed home, then switching allegiances to become a fervent Ghibelline. It is amazing he was able to concentrate enough to a write a sonnet, let alone the 14,233 lines of the Comedy.


The book, released in April, is Dante: The Story of His Life by Marco Santagata. Thanks to Peter D'Epiro for pointing us to Simon West's book review in the Australian.